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Pacific Studies Journal

Abstract

This essay explores the theme of moral agency in cinematic representations of Pacific Islanders. Drawing on anthropological theories, the essay argues that moral personhood is a socially conferred status. Hollywood films often strip Pacific Islanders of moral agency, portraying them as passive or incapable of ethical discernment, while reserving such agency for Western characters. This cinematic imbalance is framed as a form of cultural dispossession and colonial narrative control. The essay thus critiques the broader implications of how moral accountability and personhood are distributed across cultural lines in film.

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