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CONTRIBUTORS: VOL 15 NO. 4
The Jonathan Nāpela Center for Hawaiian and Pacific Islands Studies

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INTRODUCTION: CHALLENGING COMMUNICATIONS IN THE CONTEMPORARY PACIFIC
Karen L. Nero

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DANCING DEFIANCE: THE POLITICS OF POHNPEIAN DANCE PERFORMANCES
Glenn Petersen

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CELEBRATIONS OF GOVERNMENT: DANCE PERFORMANCE AND LEGITIMACY IN THE FEDERATED STATES OF MICRONESIA
Eve C. Pinsker

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PULAPESE DANCE: ASSERTING IDENTITY AND TRADITION IN MODERN CONTEXTS
Juliana Flinn

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“IT’S THE SAME OLD SONG BUT WITH A DIFFERENT MEANING”: COMMUNITY AND ETHNICITY IN SIKAIANA EXPRESSIVE CULTURE
William W. Donner

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SYMBOLS OF POWER AND THE POLITICS OF IMPOTENCE: THE MÖLMAHAO REBELLION ON ROTUMA
Alan Howard

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POLITICIZATION OF LA CULTURE MA‘OHI: THE CREATION OF A TAHITIAN CULTURAL IDENTITY
Karen Stevenson

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WOMEN, ART, AND THE CRAFTING OF ETHNICITY IN CONTEMPORARY FRENCH POLYNESIA
Anna Laura Jones

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HETEROGLOSSIA IN SAMOAN ORATORY
Alessandro Duranti

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THE MONSTER (A FANTASY): A ONE-ACT PLAY, WITH AN INTERVIEW WITH THE PLAYWRIGHT
Vilsoni Hereniko

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COMIC THEATER IN SAMOA AS INDIGENOUS MEDIA
Caroline Sinavaiana

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THE THEATER OF POLITICS: CONTRASTING TYPES OF PERFORMANCE IN MELANESIA
Dorothy K. Billings

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THE BREADFRUIT TREE STORY: MYTHOLOGICAL TRANSFORMATIONS IN PALAUAN POLITICS
Karen L. Nero

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“PLANEM FAMILY BLONG IU”: POSTER ART IN THE SOLOMON ISLANDS
Judith Fitzpatrick

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MAORI LITERATURE: PROTEST AND AFFIRMATION
Karen P. Sinclair

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EPILOGUE: STATES OF THE ARTS
Adrienne L. Kaeppler

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Vol. 15 No. 4 (1992): Pacific Studies Front Matter
The Jonathan Nāpela Center for Hawaiian and Pacific Islands Studies

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Vol. 15 No. 4 (1992): Pacific Studies Full Issue
The Jonathan Nāpela Center for Hawaiian and Pacific Islands Studies