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Pacific Studies Journal

Abstract

This essay gives new insights into indigenous Samoan spatial, temporal, and social concepts as distinctive aspects of Samoan culture, expressed linguistically, socially, and architecturally in a changing contemporary Samoan context. Four Samoan concepts are examined: (1) mata (the eye and a point of convergence and emanation), (2) (strike and a point in time), (3) (the interval and relation between points in space or time and society), and (4) tuā‘oi (neighbor and boundary). The general tā-vā theory of reality (Māhina 2008a, 2008b; Ka‘ili 2008) informs the analysis augmented by the theory of point-field spatiality as discussed by Lehman and Herdrich (2002). The analysis develops an understanding of how Samoan language, architecture, and socio-spatial and temporal practices express a cultural system through which a sense of order (or harmony) and conflict are produced and addressed in Samoan society.

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