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INTRODUCTION: TĀ-VĀ (TIME-SPACE): THE BIRTH OF AN INDIGENOUS MOANA THEORY
Maui-Tāvā-He-Ako, Tēvita O. Ka‘ili; Hūfanga, ‘Ōkusitino Māhina; and Kula-He-Fonua, Ping-Ann Addo

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GEOGRAPHIES OF TEXTILE AUTHENTICITY: MARKING TONGAN TEMPORAL AND SOCIAL RELATIONSHIPS IN DIASPORIC CULTURAL PRODUCTION
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CIRCLES OF SELF: TĀ-VĀ EXPRESSED IN TRADITIONAL SAMOAN DANCE, CULTURE AND SELF
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TĀVANI: INTERTWINING TĀ AND VĀ IN TONGAN REALITY AND PHILOLOGY
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TĀ-VĀ KĀINGA, TIME-SPACE RELATIONSHIPS THEORY OF REALITY AND TONGAN STUDENTS JOURNEY TO ACADEMIC ACHIEVEMENT IN NEW ZEALAND TERTIARY EDUCATION
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TIME, SPACE, AND CULTURE: A NEW TĀ-VĀ THEORY OF MOANA ANTHROPOLOGY
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TAKOHI: DRAWING IN TONGAN THINKING AND PRACTICE
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TATAU: SYMMETRY AS CONFLICT MEDIATION OF LINE– SPACE INTERSECTION
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READING REALITIES THROUGH TĀ-VĀ
Nuhisifa Seve-Williams

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SAMOAN CULTURAL PERCEPTIONS OF TĀ-VĀ
Unasa L. F. Va‘a

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SAMOAN TĀ-VĀ (TIME-SPACE) CONCEPTS AND PRACTICES IN LANGUAGE, SOCIETY, AND ARCHITECTURE
Fepulea‘i Micah Van der Ryn

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TATAU: SYMMETRY, HARMONY, AND BEAUTY IN THE ART OF SĒMISI FETOKAI POTAUAINE
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HOW THE TĀ-VĀ THEORY OF REALITY CONSTRUCTS A SPATIAL EXPOSITION OF SAMOAN ARCHITECTURE
Albert L. Refiti

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CONCEPTS OF TĀ-VĀ (TIME-SPACE) IN THE ART PRACTICE OF SAMOA-AOTEAROA ARTIST SHIGEYUKI KIHARA
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Vol. 40 No. 1/2 (2017): Pacific Studies Front Matter
The Jonathan Nāpela Center for Hawaiian and Pacific Islands Studies

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Vol. 40 No. 1/2 (2017): Pacific Studies Full Issue
The Jonathan Nāpela Center for Hawaiian and Pacific Islands Studies